80 Books 2013 Review

I’ve impressed myself with the books I’ve read this year. Not necessarily in terms of the quality I’ve read (come on, Pretty Little Liars, whilst addictive books and TV show, is not ‘literature’) but in the quantity. Whilst I’ve never kept such a dedicated list before 2012 (when I managed 76 books) I’m sure 115 books has to be a record for me.

There’s been a definite slant towards YA fiction this year, although not quite as much of a slant as it felt like whilst I was actually doing the reading. I also read more non-fiction books than I have since I did my degree/Masters, so I’m impressed with that.

 

 

 

Genre-wise, it’s difficult to say – so many of the books I’ve read don’t fit into particular genres. What is noticeable is the dearth of anything from before 1920 (and only This Side of Paradise by F Scott Fitzgerald drags that date backwards). Indeed, most of the books I’ve read have been published since 2000.

Having read so many books, even having kept (several) lists, I’ve forgotten some of them already. Inevitable I suppose. However, some have stayed with me and I’ve therefore compiled my top five of the year. Interestingly, these were read in the first 2/3rds of the year, four of them in the first half. Clearly my taste in books either got worse (as in, I read trash) or I became more discerning (doubtful). I've linked to the original blog review where I've done one. In the order I read them:

 Book #5: The Night Circus by Erin Morganstern. What I like to term ‘magical realism’, even though it isn’t, strictly speaking. Calling it fantasy would be belying it’s inherent beauty, and I do put it in a similar bracket to Angela Carter’s The Magic Toyshop. I’d probably also describe it as ‘romantic’ in all senses, so well-worthy of being in my top five.

Book #9: The Crow Road by Iain Banks. Apt that this book should be in my top five in the year Banks sadly passed away all too early. This was skilfully written whilst still being engaging. I shall be reading more of his work in 2014. 

Book #26: A Perfectly Good Man by Patrick Gale. A book which achieved the impossible – both my mother and I enjoyed it! This is an extremely rare occurrence and testament to Gale’s writing and character-building. A book where nothing much happens and yet everything happens.

Book #39: A Monster Calls by Patrick Ness. Stunning. Not just one of the best books I’ve read this year, but, I think, ever. So so beautiful. A wonderful concept from Siobhan Dowd, another writer gone too soon. 

Book #73: Roll of Thunder, Hear My Cry by Mildred D Taylor. Okay, so it’s not quite To Kill a Mockingbird, but the way I felt when I read it was like I felt when I read Harper Lee’s novel for the first time. Gorgeous. And screw you, Michael Gove, for believing our kids should only be studying the work of writers from the British Isles. This did more for me than any of Dickens’ dirges.

Being positive doesn’t come naturally to me (perhaps something to consider for 2014!) so where there is a best five, there should probably be a worst five as well. In the order I read them:

Book #7: The Daylight Gate by Jeanette Winterson. I don’t like Jeanette Winterson’s writing is probably what this comes down to. It was short, which was a plus, but just so tedious to get through.

Book #20: True Things About Me by Deborah Kay Davies. I felt a bit grubby after reading this and hated all the characters. The modern day The Bell Jar in her dreams.

Book #51: Once Upon a Prince by Rachel Hauck. Of course. So effing bad it’s insulting. Next.

Book #56: Janie Face to Face by Caroline B Cooney. This is mainly here because it was such a shoddy ending to a series I once enjoyed. Almost offensively bad, like the fans didn’t deserve better. Paper-thin plot and characters and clumsy execution.

Book #63: The Bell by Iris Murdoch. Boring. No other word for it.

An honourable mention for worst read goes to Harvesting the Heart by Jodi Picoult, saved only by the fact that it was at least readable.

I really don’t think I can better 115 books next year. What I think I can do is alter slightly the types of book I’m reading. I need to read more non-fiction, and I may have found my niche in true crime fiction like Columbine. I also think I should read more books published before the 20^th century, even if I find them hard work. There has to be more to it than Dickens, right? I’m also tempted to try the Man Booker Shortlist to try and raise my game.

I can try, anyway!

Farmyard Fridays Xmas Special: Away in a manger

 

 

Animals are an incredibly key part of our lives. On the most basic of levels, animals share our homes and appear upon our plates, though that’s probably an illogicality best left untouched for today. Animals also provide entertainment, whether through being raced, jumped or performing amusing dances on the internet and You’ve Been Framed. They can even help to save lives, by aiding those with disabilities and even detecting epilepsy and cancer. All in all, animals and humans have an absolutely solid relationship.

It’s therefore of no surprise that so many animals were present at the birth of Jesus, right?

 Wrong. At least, according to Emeritus Pope Benedict XVI. In a book published in December 2012, the former leader of the Catholic Church shared the fruits of his research into the birth of Jesus (cashing in? Never…) and revealed some news that it’s surprising more daytime television shows didn’t pick up on: there are no nativity animals mentioned in the four Gospels of the New Testament. No sheep, no camels and certainly no ox or ass.

Farmyard Fridays is nothing if not thorough and this claim has been verified through reading the four Gospels in question (well, the relevant verses anyway. Life is a tad too busy for anything else right now). And it will probably come as no surprise that Benedict, Pope for the nine years, does actually know his Biblical passages. There are no animals standing around the manger to welcome the Baby Jesus.

One has to question, then, why it’s such a key part of modern day nativity scenes. ‘Away in a Manger’, a carol of 1885, builds animals in as a pretty key part of the whole situation, and the part of ‘Fifth Sheep’ is a pretty standard way of including every child in a school nativity. Why this sudden need to have a whole menagerie crowding into the scene?

Of course, the setting of a stable makes animals that bit more logical, especially if you’re trying to create a believable story. Had there been no room at the inn but plenty of room at the local hospital, a stray cow wandering past would have been slightly analogous. Equally, a stable in 1^st century Palestine without some form of livestock would be a complete waste of space. So from that viewpoint, it’s naïve to suggest there wouldn’t be animals present.

 But perhaps it’s simpler than that. Maybe somebody looked at the story and wondered what would make it all more interesting. Not that the Son of God in a cattle-stall isn’t pretty engaging in itself, of course, but, let’s be honest here: if the nativity was being recreated today the three wise men would transform into a sparkly vampire, a wizard and a time-travelling alien. You’ve got to try and appeal to new audiences after all, and so perhaps whoever began adding in our four-legged friends simply intended to make the scene a bit more varied and visually appealing. There is, after all, a limit to the number of humans you can have crowding upon a scene before it become a bit tedious.

There are therefore 2 Farmyard Fridays facts to celebrate Christmas.

Farmyard Fridays Fact #12: There are no animals mentioned in the nativity scene described in the Gospels of Matthew, Mark, Luke and John.

Farmyard Fridays Fact #13: Animals make everything way more interesting.